Riverhouse Niagara is a modern architecture project developed by Zerafa Studio and located in Ontario, Canada. The two-story residence has a total surface of 5000 square feet and unobstructed river views across the full width of the property. Here is more from the architects: “The house is comprised of three distinct horizontal volumes. The building’s north south massing is defined by 2 overlaid rectangular shells within which the glass, cedar and granite clad volumes for the interior living spaces are placed and a series of voids create covered exterior terraces. The shells are clad in silver metal panel and are mostly opaque to provide privacy from adjacent properties to the north and south. The open east and west ends of the shells reveal the River and garden views.” We invite you to take a virtual tour of this imposing home and tell us if there are any details you believe are worth emphasizing on.
Energy during the construction process was saved by using FSC-certified glulam timber instead of steel to create the building’s distinctive wavy roof, while the store’s external walls use hemclad, a highly innovative insulator made from hemp, which, like all plants, absorbs CO2 from the atmosphere as it grows. An 80,000 litre water tank below ground provides water for the store’s toilets and waters the site’s green wall’, which provides natural insulation, acts as an all-natural pollution filter near the car park, and helps to encourage biodiversity. The result is a building that uses a fraction of the energy of structures of a similar size, and is still very popular with local shoppers.
An example of a huge success is Heneghan Peng Architects’ Giant’s Causeway Visitors’ Centre in Antrim, Northern Ireland. Using the large difference in level across the site, the architects created two folds in the landscape. Bold, but not conflicting with the rather bleak natural environment, these folds draw all the man-made areas together and create one fitting man-made break in the natural landscape. In the words of the architects themselves, There is no longer a building and a landscape, but building becomes landscape and the landscape itself remains spectacular and iconic